The Den (2013)

It's not surprising to see yet another found-footage film, seeing as they account for 90% of all horror films made these days, and sadly, it's not a surprise to see one as bad as The Den.

Elizabeth is a social media student who, as part of her thesis, intends to spend a few months chatting with completes strangers on a socials media site called The Den, what could possible go wrong..? After a few days of lazing around her apartment talking to strangers, she eventually come's across a disturbing video of a women being murdered. She immediately goes to the police, who show the kind of incompetency you come to expect from cops in films like this. The cop views tape and says "it sure looks real, but unfortunately it's impossible for us to this guy..."



Soon her friends and family start being picked off by this online nutter, but at no point does she notify the police. After the series of annoying video and unrealistic video conferences she has with strangers, I was glad to finally see some action.

The police in this film are absolutely useless. After Elizabeth calls them again after her boyfriend goes missing, they immediately dismiss her story and even threaten to lock her up for telling stories,  even though there was a laptop left on the floor of the place he was last seen, possibly containing evidence.

The found footage element doesn't fit in with certain scenes. I mean would you still be filming everything if some nutcase was stalking you? Or when you were rushing to your sisters house, worried that someone was gonna kill her? This is why found-footage is over used these days and most of the time doesn't work right.

There's  plenty of blood and gore in the film, and the killer looks genuinely creepy wearing the sackcloth mask. Unfortunately, that doesn't make up for the film's other shortcomings.

Scarecrow anyone?

The Den was a good idea poorly executed. The idea of a social media killer is great, and I would love to see a non-found-footage film based on that.

The Den (2013)

It's not surprising to see yet another found-footage film, seeing as they account for 90% of all horror films made these days, and sadly, it's not a surprise to see one as bad as The Den.

Elizabeth is a social media student who, as part of her thesis, intends to spend a few months chatting with completes strangers on a socials media site called The Den, what could possible go wrong..? After a few days of lazing around her apartment talking to strangers, she eventually come's across a disturbing video of a women being murdered. She immediately goes to the police, who show the kind of incompetency you come to expect from cops in films like this. The cop views tape and says "it sure looks real, but unfortunately it's impossible for us to this guy..."



Soon her friends and family start being picked off by this online nutter, but at no point does she notify the police. After the series of annoying video and unrealistic video conferences she has with strangers, I was glad to finally see some action.

The police in this film are absolutely useless. After Elizabeth calls them again after her boyfriend goes missing, they immediately dismiss her story and even threaten to lock her up for telling stories,  even though there was a laptop left on the floor of the place he was last seen, possibly containing evidence.

The found footage element doesn't fit in with certain scenes. I mean would you still be filming everything if some nutcase was stalking you? Or when you were rushing to your sisters house, worried that someone was gonna kill her? This is why found-footage is over used these days and most of the time doesn't work right.

There's  plenty of blood and gore in the film, and the killer looks genuinely creepy wearing the sackcloth mask. Unfortunately, that doesn't make up for the film's other shortcomings.

Scarecrow anyone?

The Den was a good idea poorly executed. The idea of a social media killer is great, and I would love to see a non-found-footage film based on that.

Tremors (1990)

Tremors is a classic B-movie monster movie, and one of my all-time favorite films. Set in a small Nevada town called perfection, the film mostly revolves around to local handymen, Valentine McGee (Kevin Bacon) and Earl Bassett (Fred Ward). The two soon realize that the residents of the small are not alone in the baron dessert valley, when they discover a giant thirty-foot-long underground worm. 

Ward and Bacon suit their characters perfectly, Ward being the grumpy old redneck and Bacon the cocky young cowboy wannabe. My favorite character, however, has always been Burt Gummer (Micheal Gross). A local gun enthusiast who had previously been mocked by the towns folk for his lifestyle, soon becomes their lifeline. My favorite scene of the whole film is the one when one of the Graboids breaks into Burt's basement, and he, and his wife Heather kill it with a hail of bullets from their sizable gun collection, with Burt eventually finishing the creature off with two blast of his Elephant Gun.

Burt and Heather Gummer

The practical special effects in the film were groundbreaking at the time and still look convincing to this day. You won't see any CGI in this film, which is a refreshing change, there's nothing like good honest practical effects. The only film that I can really compare it to in terms of practical effects is The Thing (1982). 

The film is a mix of comedy, monster movie, and western. - an unlikely mix of genres that works perfectly in this case. The comedy in the film comes from Val and Earls constant wisecracking, and also the over-the-top reactions and statements of the crazy gun-nut Burt. As well as comedy, the film has some genuine 'make you jump' moments - which are well-timed and put together. Everything happens at a brisk pace, maintaining the tension throughout - hence the 90 minute running time. 

Tremors is a quick, fun, action comedy horror, which has cemented its place as one the best monster movies ever made (in my opinion).

Tremors (1990)

Tremors is a classic B-movie monster movie, and one of my all-time favorite films. Set in a small Nevada town called perfection, the film mostly revolves around to local handymen, Valentine McGee (Kevin Bacon) and Earl Bassett (Fred Ward). The two soon realize that the residents of the small are not alone in the baron dessert valley, when they discover a giant thirty-foot-long underground worm. 

Ward and Bacon suit their characters perfectly, Ward being the grumpy old redneck and Bacon the cocky young cowboy wannabe. My favorite character, however, has always been Burt Gummer (Micheal Gross). A local gun enthusiast who had previously been mocked by the towns folk for his lifestyle, soon becomes their lifeline. My favorite scene of the whole film is the one when one of the Graboids breaks into Burt's basement, and he, and his wife Heather kill it with a hail of bullets from their sizable gun collection, with Burt eventually finishing the creature off with two blast of his Elephant Gun.

Burt and Heather Gummer

The practical special effects in the film were groundbreaking at the time and still look convincing to this day. You won't see any CGI in this film, which is a refreshing change, there's nothing like good honest practical effects. The only film that I can really compare it to in terms of practical effects is The Thing (1982). 

The film is a mix of comedy, monster movie, and western. - an unlikely mix of genres that works perfectly in this case. The comedy in the film comes from Val and Earls constant wisecracking, and also the over-the-top reactions and statements of the crazy gun-nut Burt. As well as comedy, the film has some genuine 'make you jump' moments - which are well-timed and put together. Everything happens at a brisk pace, maintaining the tension throughout - hence the 90 minute running time. 

Tremors is a quick, fun, action comedy horror, which has cemented its place as one the best monster movies ever made (in my opinion).

Enemy (2014)

Enemy is a dark and strange slow-burner, and one of the most boring films I've ever seen. Jake Gyllenhaal plays a disheveled history teacher who, while watching a movie at home, discovers a man that looks exactly the same as him.

At no point do the two men attempt find out how they look alike, exchanging birth dates, birth certificates, or ask their parents etc.. Which would be the natural reaction after making such a discovery.

He sets out to find this man and find out how this is possible. They meet, and he discovers his identical opposite is in effect his nasty alter-ego.

His opposite number then blackmails him into a night with his wife. That's basically it... the proceeding hour before that dragged out arduously, with Gyllenhaal shuffling from place to place, every night having sex with his girlfriend in his dump of an apartment.

I just understand the message the director was trying to get across, be it in an obscure and arty way. I'm a fan of indie and art cinema, but this film just didn't do anything for me. I'd also love to know what those spiders symbolized..?

The films only saving grace is it was well filmed, with a dark, melancholy style. Other than that Enemy is a strange, dark, gloomy and extremely boring indie film, which is neither interesting, clever or entertaining.

Enemy (2014)

Enemy is a dark and strange slow-burner, and one of the most boring films I've ever seen. Jake Gyllenhaal plays a disheveled history teacher who, while watching a movie at home, discovers a man that looks exactly the same as him.

At no point do the two men attempt find out how they look alike, exchanging birth dates, birth certificates, or ask their parents etc.. Which would be the natural reaction after making such a discovery.

He sets out to find this man and find out how this is possible. They meet, and he discovers his identical opposite is in effect his nasty alter-ego.

His opposite number then blackmails him into a night with his wife. That's basically it... the proceeding hour before that dragged out arduously, with Gyllenhaal shuffling from place to place, every night having sex with his girlfriend in his dump of an apartment.

I just understand the message the director was trying to get across, be it in an obscure and arty way. I'm a fan of indie and art cinema, but this film just didn't do anything for me. I'd also love to know what those spiders symbolized..?

The films only saving grace is it was well filmed, with a dark, melancholy style. Other than that Enemy is a strange, dark, gloomy and extremely boring indie film, which is neither interesting, clever or entertaining.

The Sacrament (2014)

The Sacrament is the third feature from Ti West, and is basically his take on the Jonestown massacre. The film follows two journalists shooting a documentary about a man's attempt to locate his missing sister. They  find her in a rural cult preparing for a mass suicide.

The two journalists are airlifted to a remote area in the forest and then driven by truck to the cult's camp. When reach the gate, they are greeted by three angry African men armed with machine guns (which doesn't put them off entering the camp). They are greeting by the man's missing sister, who is happy, a little too happy...to see them.

Soon after their arrival the journalists are invited to a town meeting by the leader of the camp, a man the cult members call "father". At the camp meeting the journalists interview the charismatic cult leader, where he tell them about his belief in the rejection of western values, capitalism and modern technology, and warns the journalists not to give the group a bad write-up in the paper or divulge any info on the camps location. Much like all cult leaders, "father" makes out that the camp is a utopia of sorts where the people are truly free. It turns out, however, that all is not well in utopia. 

The one thing that irritated me was the stupidity of the journalists: even after his friend is abducted and killed by the cult leader, one of them remains - trying to find the groups photographer and the man's missing sister. A one point he tries to escape on a chopper, only to be fired upon by the armed guards. So where does he flee to..? the woods, to a find a road maybe, the sky, anywhere but back to the dam camp! But that's where he goes. 

The acting is pretty good and film was pretty well paced. As powerful as the subject matter is, the found-footage style added to the authenticity. However, the film loose its way and becomes a little predictable towards the end. After the cult members drink their the magic orange juice, it's just a loan survivor left roaming around aimlessly - hunted by the guards for twenty minutes before getting on the chopper.

The characters may have been infuriating at times and the ending all too predictable, but the The Sacrament is a well-made and disturbing edition the Ti West filmography.

The Sacrament (2014)

The Sacrament is the third feature from Ti West, and is basically his take on the Jonestown massacre. The film follows two journalists shooting a documentary about a man's attempt to locate his missing sister. They  find her in a rural cult preparing for a mass suicide.

The two journalists are airlifted to a remote area in the forest and then driven by truck to the cult's camp. When reach the gate, they are greeted by three angry African men armed with machine guns (which doesn't put them off entering the camp). They are greeting by the man's missing sister, who is happy, a little too happy...to see them.

Soon after their arrival the journalists are invited to a town meeting by the leader of the camp, a man the cult members call "father". At the camp meeting the journalists interview the charismatic cult leader, where he tell them about his belief in the rejection of western values, capitalism and modern technology, and warns the journalists not to give the group a bad write-up in the paper or divulge any info on the camps location. Much like all cult leaders, "father" makes out that the camp is a utopia of sorts where the people are truly free. It turns out, however, that all is not well in utopia. 

The one thing that irritated me was the stupidity of the journalists: even after his friend is abducted and killed by the cult leader, one of them remains - trying to find the groups photographer and the man's missing sister. A one point he tries to escape on a chopper, only to be fired upon by the armed guards. So where does he flee to..? the woods, to a find a road maybe, the sky, anywhere but back to the dam camp! But that's where he goes. 

The acting is pretty good and film was pretty well paced. As powerful as the subject matter is, the found-footage style added to the authenticity. However, the film loose its way and becomes a little predictable towards the end. After the cult members drink their the magic orange juice, it's just a loan survivor left roaming around aimlessly - hunted by the guards for twenty minutes before getting on the chopper.

The characters may have been infuriating at times and the ending all too predictable, but the The Sacrament is a well-made and disturbing edition the Ti West filmography.

Wolf Creek 2 (2014)

We head back into the outback with serial killer madman Mick Taylor. After the first installment, Mick has moved south towards a more populated area in which to find his victims. The dark, unsettling atmosphere of the original film isn't really present here and there is very little build up before the killing begins.

The first death of the film is ridiculously over the top and very unlikely. I don't to give too much away, but it involves a rifle shot that any army sniper would struggle to make. Mick inevitably has a run-in with some tourists again - German tourists this time. I almost felt glad the tourists were killed, they were truly stupid. They got a lift out into the he middle of nowhere with few supplies and then start shouting at each other and asking how they were going to get back...eventually Mick turns up and offers the couple a lift back into town, needless to say, they don't make it.

In a way the film reminded me of I Spit On Your Grave 2 - basically the same film set somewhere else. Fare enough, the killings are gory and the killer is his usual charismatic, funny self, but there's nothing original in the film; if it weren't for the 2 in the title, there wouldn't be any difference in the story compared with the first film. The film has with the same basic elements - two stupid tourists, a dungeon, and a madman. The ending is exactly the same as well.

The only difference in this film is that Mick begins stalking an Englishmen who witnessed the killing of the tourists, he toys with him (Hitcher style) in a game of cat and mouse.

*SPOILER ALERT* The films ends the same as the first, with a single survivor escaping. At the end of the film a caption come on saying the police didn't believe is story of a madman roaming the outback killing tourists, and they suspect he killed the tourists himself. The final scene shows Mick Taylor walking away in the dessert with his rifle over his shoulder.

Like many horror sequels of the last ten years, Wolf Creek 2 failed to live up to its predecessor's success. It's not a terrible film by any means, and is a refreshing change from all the found-footage films that are saturating the genre.

Wolf Creek 2 (2014)

We head back into the outback with serial killer madman Mick Taylor. After the first installment, Mick has moved south towards a more populated area in which to find his victims. The dark, unsettling atmosphere of the original film isn't really present here and there is very little build up before the killing begins.

The first death of the film is ridiculously over the top and very unlikely. I don't to give too much away, but it involves a rifle shot that any army sniper would struggle to make. Mick inevitably has a run-in with some tourists again - German tourists this time. I almost felt glad the tourists were killed, they were truly stupid. They got a lift out into the he middle of nowhere with few supplies and then start shouting at each other and asking how they were going to get back...eventually Mick turns up and offers the couple a lift back into town, needless to say, they don't make it.

In a way the film reminded me of I Spit On Your Grave 2 - basically the same film set somewhere else. Fare enough, the killings are gory and the killer is his usual charismatic, funny self, but there's nothing original in the film; if it weren't for the 2 in the title, there wouldn't be any difference in the story compared with the first film. The film has with the same basic elements - two stupid tourists, a dungeon, and a madman. The ending is exactly the same as well.

The only difference in this film is that Mick begins stalking an Englishmen who witnessed the killing of the tourists, he toys with him (Hitcher style) in a game of cat and mouse.

*SPOILER ALERT* The films ends the same as the first, with a single survivor escaping. At the end of the film a caption come on saying the police didn't believe is story of a madman roaming the outback killing tourists, and they suspect he killed the tourists himself. The final scene shows Mick Taylor walking away in the dessert with his rifle over his shoulder.

Like many horror sequels of the last ten years, Wolf Creek 2 failed to live up to its predecessor's success. It's not a terrible film by any means, and is a refreshing change from all the found-footage films that are saturating the genre.